ART GALLERY OF REGINA

Art$ Funding

Christopher Campbell Gardiner, Glen Johnson, Milton Lim and Patrick Blenkarn

May 8 - July 4, 2026

Opening Reception: Friday, May 8, 5:00 – 8:00 

Constantly applying for grants, facing rejection, and dealing with inadequate funding can make life for artists and arts organizations seem bleak. The Art Gallery of Regina’s exhibition Art$ Funding, sponsored by HJ Linnen Associates and running May 8 to July 4, 2026, finds humour—born of exasperation—in these challenges.

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Art$ Funding brings together artworks that candidly and humorously expose the painful, perplexing, and sometimes absurd challenges of seeking arts funding , while proving that grants are not free money for artists. Artists' unseen administrative and emotional labour becomes subject matter and material for Christopher Campbell Gardiner, Glen Johnson, Milton Lim and Patrick Blenkarn.

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Gardiner transforms draining paperwork and items that provoke pain and shame into art by sealing them under layers of paint and stitches. These processes enact healing while shielding the artist’s experiences, a practice exemplified by Tonglen 1-3, a series of hand-embroidered, oversized replicas of grant rejection letters that enclose the artist’s failed applications, revealing the overwhelming financial and emotional burden of rejection.

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Lim and Blenkarn’s culturecapital—a card game and live performance—transforms the tedium of grant applications into a high-stakes experience, where pulsing lights and music heighten the drama as players compete for arts funding and community support. Developed in partnership with the Saskatchewan Arts Alliance, the Saskatchewan edition of culturecapital incorporates local examples and statistics. Free gameplay sessions culminate in culturecapital:showdown! presented by Curtain Razors on May 22 at the Globe Theatre Blackbox.

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Those seeking artistic validation can request a provisional artistic licence, complete with unflattering photograph, through Glen Johnson’s interactive installation, the Artistic Licence Bureau. The artist-made mock government office—a waiting area stocked with satirical pamphlets and posters—parodies the confounding systems of recognition that shape artists’ careers.

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Art$ Funding offers a rare space for honest critique of Canadian arts funding—a critique possible only because of the impartial, arms-length funding model it examines. This model must be fiercely protected, including against the threat of systemic under-investment, as it safeguards artistic freedom from political and private interference and upholds free expression as a cornerstone of our culture.